My work is perhaps an attempt to symbolize the invisible, evoking words and emotions rather than being confined to conceptualization.

Kandinsky’s steel street

Kaifeng, China, I had wandered into the old market of this former capital, filled with second-hand scrap metal. Rusted steel fragments forming circles, triangles, and arcs, felt like Kandinsky’s geometric abstractions brought to life.

Crases and Vectors on Sesshu Gardens   ©薈田純一　Junichi Wajda